V. by Thomas Pynchon My rating: 4 of 5 stars Thomas Pynchon's astoundingly precocious 1963 debut is a double narrative. Its first plot, set largely in 1956, narrates the misadventures of ex-Navy sailor Benny Profane ("a schlemihl and human yo-yo") along with a company of bohemians called the Whole Sick Crew, as they drink and … Continue reading Thomas Pynchon, V.
Category: book reviews
Three Lives by Gertrude Stein My rating: 3 of 5 stars One hallmark of modernism is a reversal in the priority of literature and painting. While theorists from antiquity through the 19th century debated in the abstract the relation between the two media, between word and image, literature pragmatically ruled over painting: the latter was … Continue reading Gertrude Stein, Three Lives
No Longer Human by Osamu Dazai My rating: 3 of 5 stars Back in the 1950s, Donald Keene thought he had to apologize to his Anglophone readers, in his "Translator's Introduction," for this classic 1947 Japanese novel's not being "Japanese" enough—for dealing in urban alienation, radical politics, and existential despair rather than cherry blossoms and … Continue reading Osamu Dazai, No Longer Human
Beloved by Toni Morrison My rating: 4 of 5 stars The other day, someone trying to sell a gimmicky book Tweeted the boilerplate provocation that "no novels by white men" should be taught in American high schools for "the next 20 years." She then predictably pitted Ernest Hemingway against Toni Morrison to sharpen her point. … Continue reading Toni Morrison, Beloved
Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson My rating: 4 of 5 stars I conclude this October's rereading of fin de siècle horror fiction—see also my entries on Dracula and The Turn of the Screw—with Robert Louis Stevenson's iconic 1886 novella, Strange Case of Dr. Jekyll and Mr. Hyde. The … Continue reading Robert Louis Stevenson, Strange Case of Dr. Jekyll and Mr. Hyde
The Turn of the Screw by Henry James My rating: 4 of 5 stars How did this 1898 novella become modern and postmodern literary theory's most inscrutable touchstone? According to Henry James's Notebooks—and scholars have disputed this, but then they dispute everything, as we'll see—he got the kernel of the novella, a ghost story, from … Continue reading Henry James, The Turn of the Screw
Dracula by Bram Stoker My rating: 4 of 5 stars Though "undiscovered" and "forgotten" works are thrust at us from every corner, I find that the most startling books are often the most famous, the most classic. Supposedly so well known they no longer merit study—we might as well throw them in the trash—they are … Continue reading Bram Stoker, Dracula
Sontag: Her Life and Work by Benjamin Moser My rating: 3 of 5 stars Who could begin an essay like Susan Sontag? "Great writers are either husbands or lovers," starts her piece on Camus; of Simone Weil, she announces, "The culture-heroes of our liberal bourgeois civilization are anti-liberal and anti-bourgeois." Or take On Photography's first … Continue reading Benjamin Moser, Sontag: Her Life and Work
Brighter Than You Think: 10 Short Works by Alan Moore: With Critical Essays by Marc Sobel by Alan Moore My rating: 4 of 5 stars [I interrupt this brief hiatus to post the following review, which appeared in the Spring 2017 print edition of Rain Taxi. (For ease of screen reading, I've added a few … Continue reading Alan Moore, Brighter Than You Think: Ten Short Works
The Confidence-Man by Herman Melville My rating: 4 of 5 stars This 1857 novel, Melville's last, aside from the unfinished and posthumously published Billy Budd, takes place in a single setting—a Mississippi steamboat called the Fidèle—over the course of one day, April 1, All Fools' Day. It begins most mysteriously— At sunrise on a first of … Continue reading Herman Melville, The Confidence-Man: His Masquerade
