In Praise of Semicolons

Literary influence is usually amorphous, which is why an influence-obsessed critic like Harold Bloom has to bring in words like clinamen, tesserae, and apophrades as well as esoteric schools of thought like gnosticism, kabbalah, and psychoanalysis to explain it. Even when you can identify what one writer took from another, it is often a matter … Continue reading In Praise of Semicolons

Charles Dickens, David Copperfield

David Copperfield by Charles Dickens My rating: 4 of 5 stars [Spoilers below.] I wanted to revisit Dickens after reading Jeanette Winterson’s Art Objects. Like other British critics who want to keep alive the modernist tradition—see also Gabriel Josipovici and James Wood—Winterson is vexed by Dickens, wanting to dispatch him as Victorian relic and also … Continue reading Charles Dickens, David Copperfield