What is fiction? What is it for? Hints at an answer to these imponderables turn up in the unlikeliest places. For example, in an old article on psychology's replication crisis: If it turned out that people were so variable that even very close replications threw up entirely different results, “it would mean that we could … Continue reading Manifesto, Advertisement, and Excerpt: Introducing The Class of 2000
There was a debate recently on social media over indie press Tyrant Books's tweeted proclamation that "they no longer accept agented authors." The pro-agent side argued that agents were necessary as advocates for the economic and creative interests of authors, while the anti-agent side claimed that agents were bottom-line-focused gatekeepers of the middlebrow, inescapable duller … Continue reading Buy Portraits and Ashes for Small Business Saturday!
As you might have guessed from yesterday's defense of self-published literary fiction, I have independently published a novel, Portraits and Ashes. For a brief description, here is the back cover copy: Julia is an aspiring painter without money or direction, haunted by a strange family history. Mark is a successful architect who suddenly finds himself unemployed … Continue reading Announcing Portraits and Ashes
(Inspired loosely by this essay on planning vs. non-planning novelists.) I have written two and a half novels now, and my method seems to always be the same, despite my best intentions: I begin blindly with a character or image or situation or metaphor and then explore it at random, writing toward I know not … Continue reading Composition: Planned vs. Unplanned, Written vs. Typed
My short story, "White Girl," which I had thought too controversial to be published even before it took on a new and ghastly relevance this summer, appears in the first issue of the brand-new (and especially beautiful) Amaranth Review. You can read the inaugural issue in its entirety here; my story starts on page 70. Its … Continue reading Published: “White Girl”