Jack Kirby's Fourth World Omnibus by Jack Kirby My rating: 3 of 5 stars Jack Kirby (1917-1994) was and remains the most revered artist in the tradition of American superhero comics. Born to working-class Jewish immigrants in New York City, he was there as a hustling and prolific young artist at the superhero genre's foundation … Continue reading Jack Kirby, Fourth World
Tag: science fiction
The City of Folding Faces by Jayinee Basu My rating: 4 of 5 stars A phenomenology of contemporary reading: Oscar Wilde said that only shallow people do not judge by appearances. In the library I plucked a strange little book from the "new" shelf. It's glossy, white, and almost hand-sized. It has a strange bluish, … Continue reading Jayinee Basu, The City of Folding Faces
Babel-17 by Samuel R. Delany My rating: 4 of 5 stars In a coruscating epistolary critique of The Bluest Eye, innocuously titled "Letter to Q——" in the 2005 collection About Writing, Samuel R. Delany tabulates what he sees as the many flaws of Toni Morrison's classic first novel. The gravamen of his indictment is that Morrison … Continue reading Samuel R. Delany, Babel-17
Kindred by Octavia E. Butler My rating: 5 of 5 stars This 1979 classic novel of time travel and slavery could not be published today. Imagine it, imagine Octavia Butler temporally jumped to the present and trying to put out Kindred in the current media climate. Assume, because it's so good, that the novel even finds … Continue reading Octavia E. Butler, Kindred
The Eternaut by Héctor Germán Oesterheld My rating: 4 of 5 stars Though The Eternaut only appeared in an English translation in 2015, it is often considered one of the central texts in the canon of Latin American comics and graphic novels, a work of the stature of—in other national or linguistic traditions—Maus or Watchmen, … Continue reading Héctor Germán Oesterheld and Francisco Solano López, The Eternaut
Slaughterhouse-Five by Kurt Vonnegut My rating: 2 of 5 stars But was I wrong, in "In Praise of Semicolons," to be so severe in my judgment of Kurt Vonnegut, to castigate him for infantilism? I decided to find out by reading what is regarded as the author's masterpiece, Slaughterhouse-Five (1969). Slaughterhouse-Five is Vonnegut's sixth novel, and includes … Continue reading Kurt Vonnegut, Slaughterhouse-Five
Providence Act 1 by Alan Moore My rating: 4 of 5 stars It is with hesitation that I write anything about Providence. This recent three-volume graphic novel—a prequel/sequel to the earlier works, The Courtyard and Neonomicon—represents Alan Moore's meticulously-researched and carefully-arranged synthesis of H. P. Lovecraft's mythos, whereas I am only the most casual reader … Continue reading Alan Moore and Jacen Burrows, Providence
Akira, Vol. 1 by Katsuhiro Otomo My rating: 3 of 5 stars The 1980s—the latest, the last golden age. The length and breadth of our politics, our pop culture, even our high culture, was laid down in that decade. Everyone now is either trying to overthrow it or recapture it or some incoherent combination of … Continue reading Katsuhiro Otomo, Akira
Seaguy by Grant Morrison My rating: 3 of 5 stars Thanks to all my regular readers who come here in search of slightly more traditional essays on the "classics," however defined, for holding on tight through my now year-long re-reading of comic-book writer Grant Morrison. My own perhaps too hasty disparagement of Morrison in my … Continue reading Grant Morrison and Cameron Stewart, Seaguy
Miracleman, Book Three: Olympus by Alan Moore My rating: 4 of 5 stars In the 1980s, Alan Moore, the most celebrated writer in the history of mainstream Anglophone comics, made his name by telling the same story four times. In Miracleman, V for Vendetta, Swamp Thing, and Watchmen, a commanding male figure, superior of intellect … Continue reading Alan Moore, Miracleman
