My rating: 5 of 5 stars
Revisiting this for the American literature survey I’m teaching; it’s been about a decade. Upon rereading, what stands out is Douglass’s careful attention to the social dimension of slave resistance, a theme of the book that can be overshadowed by its individualistic narrative structure, its rising to the climax of a hero’s life:
It is impossible for me to describe my feelings as the time of my contemplated start drew near. I had a number of warmhearted friends in Baltimore,—friends that I loved almost as I did my life,—and the thought of being separated from them forever was painful beyond expression. It is my opinion that thousands would escape from slavery, who now remain, but for the strong cords of affection that bind them to their friends. The thought of leaving my friends was decidedly the most painful thought with which I had to contend. The love of them was my tender point, and shook my decision more than all things else.
In fact, I would describe the chief tension of Douglass’s Narrative as that between two literary modes, which he has cannily joined to oppose the ideology of slavery but which nevertheless coexist uneasily with each other. The first is the Franklinian/Emersonian insistence on individual autonomy as the sine qua non of the fully emancipated individual. This is easy, far too easy in fact, to mock today as the rarefied bloviation of elite white males, but people like Frederick Douglass and Margaret Fuller did not take it that way. This vision of self-reliance inspires some of the most nuanced and compelling writing in Douglass’s Narrative, writing that seems to bring the entire Enlightenment to a climax in its conviction that rational self-consciousness is the apogee of individual attainment and totally incompatible with the acceptance of arbitrary authority:
The more I read, the more I was led to abhor and detest my enslavers. I could regard them in no other light than a band of successful robbers, who had left their homes, and gone to Africa, and stolen us from our homes, and in a strange land reduced us to slavery. I loathed them as being the meanest as well as the most wicked of men. As I read and contemplated the subject, behold! that very discontentment which Master Hugh had predicted would follow my learning to read had already come, to torment and sting my soul to unutterable anguish. As I writhed under it, I would at times feel that learning to read had been a curse rather than a blessing. It had given me a view of my wretched condition, without the remedy. It opened my eyes to the horrible pit, but to no ladder upon which to get out. In moments of agony, I envied my fellow-slaves for their stupidity. I have often wished myself a beast. I preferred the condition of the meanest reptile to my own. Any thing, no matter what, to get rid of thinking! It was this everlasting thinking of my condition that tormented me. There was no getting rid of it. It was pressed upon me by every object within sight or hearing, animate or inanimate. The silver trump of freedom had roused my soul to eternal wakefulness. Freedom now appeared, to disappear no more forever. It was heard in every sound, and seen in every thing. It was ever present to torment me with a sense of my wretched condition. I saw nothing without seeing it, I heard nothing without hearing it, and felt nothing without feeling it. It looked from every star, it smiled in every calm, breathed in every wind, and moved in every storm.
On the other hand, Douglass—a longtime feminist—demonstrates clear awareness of the importance of communal, domestic, and affective bonds to individual flourising, and he writes at times in (or in subtle subversion of) the gendered idiom of sentimental fiction to make his case against slavery (cf. Harriet Jacobs):
My mistress was, as I have said, a kind and tender-hearted woman; and in the simplicity of her soul she commenced, when I first went to live with her, to treat me as she supposed one human being ought to treat another. In entering upon the duties of a slaveholder, she did not seem to perceive that I sustained to her the relation of a mere chattel, and that for her to treat me as a human being was not only wrong, but dangerously so. Slavery proved as injurious to her as it did to me. When I went there, she was a pious, warm, and tender-hearted woman. There was no sorrow or suffering for which she had not a tear. She had bread for the hungry, clothes for the naked, and comfort for every mourner that came within her reach. Slavery soon proved its ability to divest her of these heavenly qualities. Under its influence, the tender heart became stone, and the lamblike disposition gave way to one of tiger-like fierceness. The first step in her downward course was in her ceasing to instruct me. She now commenced to practise her husband’s precepts. She finally became even more violent in her opposition than her husband himself. She was not satisfied with simply doing as well as he had commanded; she seemed anxious to do better. Nothing seemed to make her more angry than to see me with a newspaper. She seemed to think that here lay the danger. I have had her rush at me with a face made all up of fury, and snatch from me a newspaper, in a manner that fully revealed her apprehension. She was an apt woman; and a little experience soon demonstrated, to her satisfaction, that education and slavery were incompatible with each other.
Also, in the same vein of the domestic sentimental, is his striking fictionalized and almost stream-of-consciousness portrait of his cruelly abandoned grandmother’s last days:
The hearth is desolate. The children, the unconscious children, who once sang and danced in her presence, are gone. She gropes her way, in the darkness of age, for a drink of water. Instead of the voices of her children, she hears by day the moans of the dove, and by night the screams of the hideous owl. All is gloom. The grave is at the door. And now, when weighed down by the pains and aches of old age, when the head inclines to the feet, when the beginning and ending of human existence meet, and helpless infancy and painful old age combine together—at this time, this most needful time, the time for the exercise of that tenderness and affection which children only can exercise towards a declining parent—my poor old grandmother, the devoted mother of twelve children, is left all alone, in yonder little hut, before a few dim embers. She stands—she sits—she staggers—she falls—she groans—she dies—and there are none of her children or grandchildren present, to wipe from her wrinkled brow the cold sweat of death, or to place beneath the sod her fallen remains. Will not a righteous God visit for these things?
Like some other famous slave narratives (Jacobs again, also Equiano), Douglass ends with a praise of capitalism for its implicitly abolitionist conception of individual self-ownership and ownership of labor’s reward :
In the afternoon of the day when I reached New Bedford, I visited the wharves, to take a view of the shipping. Here I found myself surrounded with the strongest proofs of wealth. Lying at the wharves, and riding in the stream, I saw many ships of the finest model, in the best order, and of the largest size. Upon the right and left, I was walled in by granite warehouses of the widest dimensions, stowed to their utmost capacity with the necessaries and comforts of life. Added to this, almost every body seemed to be at work, but noiselessly so, compared with what I had been accustomed to in Baltimore. There were no loud songs heard from those engaged in loading and unloading ships. I heard no deep oaths or horrid curses on the laborer. I saw no whipping of men; but all seemed to go smoothly on. Every man appeared to understand his work, and went at it with a sober, yet cheerful earnestness, which betokened the deep interest which he felt in what he was doing, as well as a sense of his own dignity as a man. To me this looked exceedingly strange. From the wharves I strolled around and over the town, gazing with wonder and admiration at the splendid churches, beautiful dwellings, and finely-cultivated gardens; evincing an amount of wealth, comfort, taste, and refinement, such as I had never seen in any part of slaveholding Maryland.
One less comforting or maybe just less politically correct of Douglass’s observations concerns the relation between slavery and social class among whites; he never states outright a belief in natural aristocracy, as it would contradict his preponderantly Christian egalitarianism, but the Narrative sometimes implies that slavery is wrong because it gives worthless white parvenus and plebes authority over all black people, including those who ought to be first among men and women:
Bad as all slaveholders are, we seldom meet one destitute of every element of character commanding respect. My master was one of this rare sort. I do not know of one single noble act ever performed by him. The leading trait in his character was meanness; and if there were any other element in his nature, it was made subject to this. He was mean; and, like most other mean men, he lacked the ability to conceal his meanness. Captain Auld was not born a slaveholder. He had been a poor man, master only of a Bay craft. He came into possession of all his slaves by marriage; and of all men, adopted slaveholders are the worst. He was cruel, but cowardly. He commanded without firmness. In the enforcement of his rules, he was at times rigid, and at times lax. At times, he spoke to his slaves with the firmness of Napoleon and the fury of a demon; at other times, he might well be mistaken for an inquirer who had lost his way. He did nothing of himself. He might have passed for a lion, but for his ears. In all things noble which he attempted, his own meanness shone most conspicuous. His airs, words, and actions, were the airs, words, and actions of born slaveholders, and, being assumed, were awkward enough. He was not even a good imitator. He possessed all the disposition to deceive, but wanted the power. Having no resources within himself, he was compelled to be the copyist of many, and being such, he was forever the victim of inconsistency; and of consequence he was an object of contempt, and was held as such even by his slaves.
All in all, you don’t need me to tell you that the Narrative is a complex braiding of autobiography, social observation, and political and religious polemic, a masterpiece of American literature.